Saturday, February 26, 2011

Cellar Door Festival Adelaide 2001 25-27 February, 2011

The Adelaide Convention Centre management made a wise choice when the chose Olivia Stratton to manage the inaugural Adelaide Cellar Door Festival. Olivia got this event just right and there must be many South Australian wine companies now wishing that had taken part. The right demographic, 20 plus and the really wonderful thing is that the people pouring the wines are frequently the next generation of wine making families.
There is plenty of focus on wine education with master classes and today we especially enjoyed Max Allen who introduced new wave whites. A lot of wine people present Max’s presentation which was excellent. We also attended the Biodynamic and Organic Wine masterclass with biodynamic pioneer David Paxton from Paxton. His journey from conventional grape grower and winemaker to biodynamic was very interesting. The Advertiser’s Tony Love presented SA’s Iconic Wines with a really diverse lineup of South Australian varietals that could hold their own on the world stage. Both Max and Tony are repeating their master classes on Sunday 27 February CLICK HERE to go to the master class details for Sunday.
Entry tickets and any remaining master class places can be purchased at the door or on–line. Doors open at 10.00 am, first masterclasses 10.30 am.
Entry ticket gives you an opportunity to win Berryl, a fabulous little purple Smart Car who has been out and about town for a couple of months and made many friends in the process. Don’t be disappointed to discover that you don’t actually get Berryl with her vine leaf surf board but a lovely little white sister. Also with the door ticket a token for a glass of wine (not that you need it, there is so much great wine to taste) and a Riedel glass that you get to keep. It is incredibly good value!
With over 100 South Australian cellar doors represented it is possible to grasp regional differences without traversing the state, but it also identifies reasons to visit some of the more distant wine regions.
A great event, really tremendous value for money. For full details CLICK HERE


Ann Oliver
food editor and publisher Galaxy Guides
copyright © text and images Ann Oliver 2011

Wednesday, May 5, 2010

the rise of Adelaide chefs baking bread

This is the first of three articles featuring six of Adelaide’s best restaurant bakers all whom have agreed to share their recipes. Other chefs whose bread will be featured are Johnny Trsicari (Chloe’s Restaurant), Vincenzo LaMontagna (Vincenzo’s Cucina Vera), Justin Miles (Windy Point Restaurant) and Dennis Whetstone (Red Ochre Grill). This week the team at Enoteca Brent Kemble–Beech, Jodie Zerner and Hugh Duckworth who share their daily bread making and Rebecca Stubbs chef at The Retreat at Chapel Hill Wines. At Enoteca they make a classic ciabatta with a delicious thin crispy crusty made gritty with coarse polenta and it has a soft luscious chewy centre. Rebecca has the added advantage of a huge wood oven and makes sour dough that she extends to many permutations.

left — Brent Kemble–Beech, Enoteca Adelaide click here
to go to his recipe for the class ciabatta they make at the restaurant
right — Rebecca Stubbs, The Retreat at Chapel Hill Wines, McLaren Vale South Australia
click here to go to Rebecca’s recipe for her milk sour dough


Bread is one of the most seductive components of a menu. Good bread is often more memorable than the skill of the chef, the originality of the menu or the quality of the ingredients and the lingering memory of just baked bread a reason to return. Strangely while commercially available bread has undergone vast improvements restaurant bread until very recently had sunk so low as to be embarrassing. In the early 80s there wouldn’t have been a restaurant in Adelaide in the top 40 that would not have been able to boast they made their own bread. The baking of bread is the ritual of all good restaurants regardless of price.

In the early 90s Australian restaurants in search of staying economically viable started to charge for bread. At about the same time, wages and expenses took profits from an attractive figure of approximately 25% to something between 5–10% for brilliant managers. In the last four years the hike in power and water prices has gobbled half of that. Running a restaurant is a dangerous game! Cheap restaurants and pubs in Europe have long charged for good bread. We found it odd that the waiter came around asking how many semmel (rolls) we had eaten. Sometimes after copious demi litres of local white it was pretty hard to remember. Stunning white bread, crusted with rock salt and caraway, still warm, straight from the village baker it came with fresh sweet butter. We ate them with Biechel and Knödel, a lung soup lusciously laced with fresh paprika, the likes of which, we never see in Australia and dried chilli with massive parsley rich bread dumplings made from stale bread. The memory makes me salivate! My point is that these are dishes where the accompanying bread is an integral part of the dish and bad bread ruins these simple rustic dishes.

At the high end in Australia $40–$60 main courses no one expects the charge for bread to be as blatant as appearing on the bill. Has anyone ever been charged for bread in a Michelin starred or for that matter a posh restaurant in the eastern states? Never!!! And yet it does happen in Adelaide time and time again. Of course, anywhere you have bread you still pay for it but it’s factored into the rest of the food and doesn’t tackily appear on the bill.

What makes a restaurant great? There are so many components that make the whole. Great food, great wine, great service, environment, exquisite flowers, accoutrements, view, price and product knowledge are just the start. But, nasty bread served with crap olive oil, burnt sugary fake balsamic or butter that has languished so long in the fridge it tastes of nothing else, or so fridge hard it is impossible to spread is a memory that annoys diners more than a bad course. AO

to read about fabulous New York Baker Jim Lahey and his really fabulous book MY BREAD and get more information about baking your own bread click here

Thursday, February 4, 2010

The annual Tanunda Show, March 13, 2010

in 2009 one of the highlights was the Tanunda Show. A wonderful example of the preservation of a region’s culinary heritage. The open participation of children in novel cooking events was heartening and their genuine delight at winning a prize was delightful. As for the dahlias stunning and at The Magpie and Stump Café locals with the help of TAFE students turned out a bench mark pie made with locally produced Careme butter puff pastry (commercially available) and fabulous platters or regional and traditional produce.

The pie was made especially good with just made mash potato. The excellence of the mash was a stark reminder of how dreadful mash potato is in most restaurants where the mistakenly believe it can be kept in a box in the fridge for days on end and reheated without anyone ever noticing that it is days old. Wrong! The aroma of the German beer cake entries almost turned me into a thief. Utterly magical it reinvigorated memories of my time in Austria and the perfume that wafted from the village baker that lured one like the Pied Piper of Hamlyn to feast again. Be warned, next year I am taking a bigger handbag and/or making friends with the brilliant home cooks who made it!

We were thinking about entering our pickled onions this year, but doubt we could come close to the local competition. Wonderful examples like Ali Cribb’s handmade bread and all that exquisite produce grown with the purpose of showing off!.

Wednesday, January 27, 2010

eddy and jonny, young and totally obsessed

Eddy and Jonny
and the journey to the perfect sfogliatelle

We first did a story about Eddy (Edwina) Peoples and Jonny Pisanelli last year drawing to the attention of the Adelaide public that the terrific Gilles Street Market pointing out that the market didn’t just have great new and vintage fashion but also had some pretty good food as well. We especially liked From Scratch Patisserie and the Gosleme which are just the best.

Eddy and Jonny both have full time daytime jobs but have a little business called From Scratch Patisserie. The name to a chef or cook is an immediate indication of passion with a good proportion of pain. It means no short cuts, basically no cheating and it means a commitment to the roots of the recipe and how it should be properly made. Very often it means going to the genesis of that recipe, a quest that often receives as much ridicule for the obsession as it does admiration for the final achievement. People with budgets and set profits in mind find it peculiar, ridiculous that someone might be willing to invest so many years in a life apprenticeship without any real guarantee that there is a pot of gold at the end of that journey. Yet, it is just that obsession that gives us the world’s best restaurants and patisseries and fills the kitchens of these establishments with willing unpaid slaves, there for the privilege of learning what the master knows. The Chinese culture seems to have understood this journey since time began, the worth of the master and the advantage of being the recipient of their wisdom and it in the rest of the world it is a long held tradition. It is a practice less common in Australia and to some extent due to the ’insurance’ factor. It must be said those protégés frequently earn that honoured place by being more determined that most and keep that place only by being more talented and hard working than average.


A year ago when we first spoke to Eddy and Jonny it was a struggle to keep up with their rapid–fire questions intermingled with a conversation as to where they hoped they might be in a few years time. Their enthusiasm was palpable and remains so today, more so if that is believable. These are young people who have time on their side and unlike a restaurant or business that must quickly swim or sink they can support their passion and take the time to learn. I love my mobile phone for two unrelated reasons. It allows me to instantly offer proof to a supplier of the quality they have sent and demand, without argument refund or replacement and the second less useful but more enjoyable is the sharing of the experience with like minded persons travelling on the other side of the globe. Their texted images chronicle their culinary journey, their progress in the world of food. It was images from Eddy and Jonny from Pierre Hermé Paris master patisserie and Fauchon and Laduré my excitement grew because I knew they were on the next stage of their journey.


Jonny, with the help of his Italian grandparents took an estage at Bianchini Guido one of Benevento’s most famous paticceria bars. For a month he worked without pay in their cellar kitchen with their demanding 60–year–old master patisserie and his assistant a woman of just 35 who was responsible for the finishing and detailing. Their team work apparent, Jonny immediately understood the miracle of the skill that makes a zillion (or so of something) perfect every time. Cutting the croissant dough to a faultless 100g was challenging enough, but even though she appeared not to ever concentrate on what she was doing, her hands proved otherwise, as she rolled them perfectly challenging Jonny to cut faster and keep up with her. Women are more common in the kitchens of Italy than France but even today there are more female patissiers than there are chefs.


At the end of the month Eddy flew to Rome to meet Jonny and they travelled north to attend the massive Coffee Gelati Pastry Expo in Milan. Both have a traveller’s eye for regaling a tale and it is my intention to buy them both a journal before they next travel. Jonny a Southern Italian by birth heritage with insight immediately noted that just two hours out of Napoli the cuisine had started to change and that the further north they went the more modern it became. He noted how stuck southern Italian patisserie is in the late fifties with its offering of choux and puff pastry, ice cream and coffee, but even then he was amazed that some of these now commonplace Italian patisserie items have not made it into the Australian Italian coffee culture.





from left — Jonny at Pierre Hermé and right their gorgeous sfogliatelle — other images, lemon meringue tarts and their macaroons

Images copyright © Edwina Peoples and Ann Oliver 2010


Don’t know what a sfogliatlle is click here if for nothing else but to understand the work that is involved in making them!
In Milan at the fair the agent for Bravo machines, the type of ice cream machine that every decent chef in the world would own where it not for the massive price tag, noted their youth (and probably their beauty) and their passion and enquired as to where they were headed next. “Paris? When?” Food and fate frequently hold hands and as it happened this angel of providence was in Paris at the same time as them. The offer to be collected and taken with a small group of potential clients into the kitchens of Pierre Hermé, Fauchon and Ladurée seemed like a miracle and in their excitement it was only when they returned to their hotel that they realised it was the same day they had booked and paid $1000 each for a macaroon course in Paris. Not even knowing if they could change the date the unanimously agreed if need be they would forfeit the money for the privilege of entrée to France’s, and the worlds most famous patisseries. That’s truly obsessed and perhaps one of the great things about their business partnership. They luckily have found a business partner who gets it, shares the work, shares the shit but most importantly shares the joy!





Both have noted the unique touches that separate the iconic stores from the rest. The exquisite packaging for the purchase of just two macaroons. The black and pink of Fauchon; the black box that opens to the fuchsia pink tissue and my most favourite of all pastries the Napoleon, the exquisite melt of the tongue puff pastry, sponge. It is a tradition only really practiced by Haigh’s chocolates in Australia. Despite all my protestations that my two, (liar four), weekly chocolate allowance will be gone before I reach the door, they still package them perfectly.

The change in the offering from since their journey is obvious. The macaroons are without doubt better than anything in Adelaide, thin crusted, soft centred they are exquisite. Their sfogliatelle, a Sicilian concoction shaped like a shell with multi–layered pastry and a ricotta filling has advanced in excellence. They are better by a long way than the par–bake frozen ones sold in Adelaide but a smidgen away from being as good as the ones they used to have made for them at NANO until the woman could no longer satisfy the demand. From Scratch’s fruit studded ricotta filling is superb and the layered pastry has a good crunch but they are still just ever so slightly tough lacking that soft but crisp, break–apart flakiness when you bite into them. To my absolute delight my picky Genovese friend enjoying the conversation, thinking for a second he might have been at someone’s home had taken a sfogliatelle and to our astonishment eaten it in an eye blink. “You going to pay for that mate?” we asked. “Yes it was worth it, very good!” High praise indeed, from the man who terrorises Adelaide’s Italian restaurants with blunt uncomplimentary criticism.
The December 08 Apicius magazine (image bottom left) has a great article about Pierre Hermé and even a fab recipe for black truffle macaroon — we have applied the recipe with great succes to other flavours. This isue is out of stock at Ecotel but you can buy issue two for $36 (almost half price) and a third edition out soon — we’ll keep you posted! I'm addicted to these magazines and it’s all too long a wait between issues — click here for the review
Apicius international edition

published by Montagud Editores S.A, Spain

available by subscription in Australia from ecotel Adelaide email or telephone +61 8 8410 3633